I CHOOSE TO BE WHOLE AND COMPLETE IN GOD’S DIVINE IMAGE.
History of the Grand Solfeggio Tones
The history of the solfeggio tones begins with King David, who then passed the secrets on to Solomon. Sometime after Solomon, the tones were lost. David was given four tones, which he created with strings on his lyre. These tones are all used with the psalms, also created by David. The mathematics of the tones matches the mathematics of the psalms (geomatria). Solomon used the tones and the geomatria in the creation of the Song of Songs, also a psalm. This was considered the most sacred of the psalms.
During the creation of Gregorian chant, the solfeggio tones were rediscovered, these based on five notes. Later, a sixth note was added. These were based on the discoveries of Pythagoras and his harmony of the spheres. These also were later lost. In the 90s, Dr. Joey Puleo was given the secret of the geomatria in a vision and the actual frequencies in appearances of Jeshua and an angel that Dr. Puleo did not name. After the turn of the millennium, Joseph Crane was told in an appearance of Archangel Michael that two solfeggio scales existed — one profane and one sacred. The sacred has been known as the “secret solfeggio.” Later, Michael gave Joe Crane six of the frequencies to the sacred solfeggio to be used in healing. And more recently he told Crane that a subset of the frequencies existed, called the Divine Masculine frequencies.
In 2009 the code of both solfeggios was cracked and shown to be linked together mathematically by mathematician and author, GW Hardin, through the guidance of Archangel Gabriel. During the process, yet a third set of solfeggio frequencies showed up in the mathematics. Using what is called the Pythagorean skein, the third set is made up of the sum of the first two sets. What also showed up was an entire fractal system of solfeggios that affect specific parts of the bodies.
There are three levels to the solfeggio tones: the Archetypal (earthly), the Divine (heavenly), and the Universal (cosmic). Within each level there are two components, the Masculine and the Feminine. The Feminine is made up of nine tones in each level while the Masculine is made up of six tones. When all the tones of a component are played they create a harmonic or the tone of Oneness.
This CD represents the return of the solfeggio tones to humanity. The tones are currently being played world-wide to heal and advance the planetary consciousness. Over a two day period, the affirmation that is to be used with the solfeggio tones was continuously given. It is strongly recommended to play these tones only with loving intent for oneself and for others. If played in repeat mode, it has an even greater effect.